Showing results by narrator "Tony Robinson" in All Categories

Through the ages of Britain, from the 15th century to the 21st, Edmund Blackadder has meddled his way along the bloodlines, aided by his servant and sidekick, Baldrick, and hindered by an assortment of dimwitted aristocrats. Now the complete history of Blackadder is collected together, including the four TV series: The Black Adder, Blackadder II, Blackadder the Third and Blackadder Goes Forth.

Fate is a word that springs to the lips when to call something coincidence seems mealy mouthed. Destiny is another such. But the problem with destiny is, of course, that she is not always careful where she points her finger. One minute you might be minding your own business on a normal, if not spectacular, career path; the next you might be in the frame for the big job. Like saving the world.

Everything you need to know about World War I! Tony Robinson takes you on a headlong gallop through time, pointing out all the most important, funny, strange, amazing, entertaining, smelly, and disgusting bits about World War I. It's history, but not as we know it! Find out everything you ever needed to know about World War I in this brilliant action-packed, fact-filled book.

In the beginning, there was nothing but endless flatness. Then came the Carpet. That's the old story everyone knows and loves (even if they don't really believe it). But now the Carpet is home to many different tribes and peoples, and there's a new story in the making: the story of Fray, sweeping a trail of destruction across the Carpet, the story of power-hungry mouls, and the story of two Munrung brothers, who set out on an adventure to end all adventures when their village is flattened.

Sir Tony Robinson is a much-loved actor, presenter and author with a stellar career lasting over 50 years. Now, in his long-awaited autobiography, he reveals how the boy from South Woodford went from child stardom in the first stage production of Oliver!, a pint-size pickpocket desperately bleaching his incipient moustache, to comedy icon Baldrick, the loyal servant and turnip aficionado in Blackadder.

Set during the Golden Age of Detective Fiction, we meet Max Carrados, the celebrated blind detective who can read a newspaper headline with the touch of his fingers and shoot a villain by aiming at the sound of his beating heart...and Norman Conquest, the fast talking, hard hitting adventurer with a nose for trouble and a hell-rake disregard for danger, who keeps up good cheer while he biffs the baddies...and not forgetting Ben, the chivalrous and perky non-descript little man, whose thumbs itch just before ‘something ‘orrible ‘appens’.

William de Worde is the accidental editor of the Discworld's first newspaper. Now he must cope with the traditional perils of a journalist's life: people who want him dead, a recovering vampire with a suicidal fascination for flash photography, some more people who want him dead in a different way and, worst of all, the man who keeps begging him to publish pictures of his humorously shaped potatoes. William just wants to get at the truth.

They say that a little knowledge is a dangerous thing, but it is not one half so bad as a lot of ignorance. There are some situations where the correct response is to display the sort of ignorance that happily and wilfully flies in the face of the facts. In this case, the birth of a baby girl, born a wizard, by mistake. Everybody knows that there's no such thing as a female wizard. But now it's gone and happened, there's nothing much anyone can do about it. Let the battle of the sexes begin.

It's an offer you can't refuse. Who would not wish to be the man in charge of Ankh-Morpork's Royal Mint and the bank next door? It's a job for life. But, as former con-man Moist von Lipwig is learning, the life is not necessarily for long.

When the very fabric of time and space are about to be put through the wringer, in this instance by the imminent arrival of a very large and determinedly oncoming meteorite, circumstances require a very particular type of hero. Sadly, what the situation does not need is a singularly inept wizard, still recovering from the trauma of falling off the edge of the world. Equally it does not need one well-meaning tourist and his luggage, which has a mind of its own¿which is a shame, because that's all there is.

Up on the chalk downs they call The Wold, witches are banned: ever since the Baron's son vanished in the woods. Anyway, as all witches know, chalk's no good for magic. Nine-year-old Tiffany Aching thinks her Granny Aching, a wise shepherd, might have been a witch, but now Granny Aching is dead, and it's up to Tiffany to work it all out when strange things begin happening.

Sam Vines is a man on the run. Yesterday he was a duke, a chief of police, and the ambassador to the mysterious, fat-rich country of Uberwald. Now he has nothing but his native wit and the gloomy trousers of Uncle Vanya (don't ask). It's snowing. It's freezing. And if he can't make it through the forest to civilization, there's going to be a terrible war. But there are monsters on his trail. They're bright. They're fast. They're werewolves. And they're catching up.

To the consternation of the patrician, Lord Vetinari, a new invention has arrived in Ankh-Morpork - a great clanging monster of a machine that harnesses the power of all of the elements: earth, air, fire and water. This being Ankh-Morpork, it's soon drawing astonished crowds, some of whom caught the zeitgeist early and arrive armed with notepads and very sensible rainwear.

Johnny Maxwell and his friends have to do something when they find Mrs Tachyon, the local bag lady, semi-conscious in an alley...as long as it's not the kiss of life. But there's more to Mrs Tachyon than a squeaky trolley and a bunch of dubious black bags. Somehow she holds the key to different times, different ears: including the Blackbury Blitz in 1941. Suddenly, now isn't the safe place Johnny once thought it was as he finds himself caught up more and more with then.

Not many people can see the dead (and not many would want to). Twelve-year-old Johnny Maxwell can. And he's got bad news for them: the members of the council want to sell the cemetery as a building site. But the dead aren't going to take it lying down - especially since it's Halloween tomorrow. Besides, they're beginning to find that life is a lot more fun than it was when they were...well...alive. Particularly if they break a few rules.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but that looks completely different. It plays by different rules. Certainly it refuses to succumb to the quaint notion that universes are ruled by pure logic and the harmony of numbers. But just because the Disc is different doesn't mean that some things don't stay the same.

This isn't real life. This isn't even cheese mongering. It's opera - where the music matters, and where an opera house is being terrorised by a man in evening dress with a white mask, lurking in the shadows, occasionally killing people, and, most worryingly, sending little notes, writing maniacal laughter with five exclamation marks. Opera can do that to a man. In such circumstances, life has obviously reached that desperate point where the wrong thing to do has to be the right thing to do.

Moist von Lipwig was a con artist and a fraud and a man faced with a life choice: be hanged, or put Ankh-Morpork's ailing postal service back on its feet. It was a tough decision. But he's got to see that the mail gets though, come rain, hail, sleet, dogs, the Post Office Workers Friendly and Benevolent Society, the evil chairman of the Grand Trunk Semaphore Company, and a midnight killer. Getting a date with Adora Bell Dearheart would be nice, too.

Scottish writer Edward Boyd was well known for his TV and radio plays, including The Corridor People and The View from Daniel Pike, and he also penned several episodes of Z-Cars. He specialised in the thriller genre, and this collection showcases six of his best radio crime dramas.

Tressell's novel is about survival on the underside of the Edwardian Twilight, about exploitative employment when the only safety nets are charity, workhouse, and grave. Following the fortunes of a group of painters and decorators and their families, and the attempts to rouse their political will by the Socialist visionary Frank Owen, the audiobook is both a highly entertaining story and a passionate appeal for a fairer way of life.